Ms. Deborah Evans Office: 221 Adirondack House
First Year Seminar 001 Office hours: W/F 9:30-11:00
Freeman International Center-Hamlin Sem. and by appointment
T/Th 9:30-10:45 Office phone: 443-2099
Home: 388-9815
devans@middlebury.edu

Syllabus

T 9/5 Introductions. Who/what is the "classic western hero"?

Week 1 Foundations of a myth: frontiersmen and captives

T 9/12 Foundations of a myth: John Filson, The Adventures of

Col. Daniel Boon

Th 9/14 "The Adventures of Col. Daniel Boon and A Narrative of the

Captivity and Extraordinary Escape of Mrs. Francis Scott" (1786) and "From The Crockett Almanacs" (1835-56)

Week 2 First round of writing workshops

T 9/19 Draft workshop essay #1

Th 9/21 Draft workshop essay #1

F 9/22 Essay #1 due

Week 3 The Leatherstocking tales: a literary hero for a new America

T 9/26 James Fenimore Cooper, The Last of the Mohicans (1826)

Th 9/28 Cooper, The Last of the Mohicans

Evening film screening: Last of the Mohicans (1992)

Week 4 The dime western

T 10/3 The dime western: Malaeska, the Indian Wife of the White

Hunter(1860); Seth Jones, or the Captives of the Frontier (1861); Deadwood Dick, the Prince of the Road (1877); and Franke Reade, the Inventor, Chasing the James Boys (1890) [in Reading the West, Bill Brown, ed.] Oral reports.

Th 10/5 Draft workshop essay #2

Week 5 Mark Twain as western writer.

T 10/10 Mark Twain, "Fenimore Cooper's Literary Offenses"; selections

from Roughing It (1872)

Th 10/12 Draft workshop essay #2

Week 6 The frontier ‘closes’: Turner’s frontier thesis and its implications.

M 10/16 Essay #2 due.

T 10/17 Frederick Jackson Turner, The Significance of the Frontier in

American History (1893). Stephen Crane, "The Blue Hotel" (1899).

Th 10/19 Library workshop.

Week 7 The prototype of the modern western: Wister’s gentleman cowboy

T 10/28 Owen Wister, The Virginian

Th 10/26 Owen Wister, The Virginian

Evening film screening: The Virginian

Week 8 The battered gunfighter, et al.: Zane’s heroes for the proletariat

T 10/31 Zane Grey, Riders of the Purple Sage (1912)

Th 11/2 Draft workshop, Essay #3

Evening film screening: High Noon

Week 9 Alternative hero(ines): reading Austin and Cather

T 11/7 Mary Austin, The Land of Little Rain (1903)

Th 11/9 Draft workshop, Essay #3

Week 10 Hero(ines) continued . . .

T 11/14 Willa Cather, O Pioneers! (1913)

Th 11/16 Cather, O Pioneers!

Evening film screening: Heroines on the big screen--selections from Johnny Guitar, The Ballad of Little Jo; Bad Girls; The Quick and the Dead

Week 11 Thanksgiving break–see deadlines below

T 11/21 Esssay #3 due. Follow Friday class schedule today.

Individual conferences scheduled this week to discuss final essay. View Sam Peckinpaw’s The Wild Bunch on your own.

Th 11/23 Thanksgiving break.

Week 12 Contemporary revisions of the western hero

T 11/28 Cormac McCarthy, Blood Meridian (1985)

Th 11/30 Cormac McCarthy, Blood Meridian

Evening film screening: Lone Star.

Week 13 More contemporary visions. . .

T 12/5 Draft workshop, Essay 4

Th 12/7 Sam Shepard, True West. Draft workshop, Essay 4

Evening film screening: Unforgiven

M 12/11 Essay #4 and final portfolio due.